Friday, November 12, 2010

GOVERNMENT MUST HELP UNION UNITED CHURCH

 
 
Union United Church in Little Burgundy, is going to be demolished. It is the spiritual home of generations of hard-working people of colour and the community centre where such gifted artists as Oscar Peterson, Daisy Sweeney and Oliver Jones grew up and the home from which they were sent out into the world to enrich our lives with beautiful music.
 
It will be heartbreaking to see that church disappear. It must be rebuilt on the same site, rebuilt well and quickly, incorporating some of the original building's elements because they are sacred - filled with the love, tears, music and hopes of a People who have contributed so much to Montreal and beyond.
 

The Church of Notre-Dame-de-la-Défense, located in the heart of Montreal's Little Italy was designated a National Historic Site of Canada in 2002. Along with that designation, the government provided a very generous grant for repair work even though there was a portrait of Mussolini riding on a white horse painted on the ceiling. To receive all that money, the government did not require the church to remove that painting which is still there.

It is right and just that the government now provide an equally generous grant to Union United Church so that they can get on with the task of rebuilding without delay. Perhaps there could be a mural in the new Union United Church of Oscar Peterson, Daisy Sweeney and Oliver Jones - around a grand piano.

Thursday, November 11, 2010

TOO LATE FOR JUSTICE

 
   
 
 
Justice is what makes us Canadian:
Pierre Elliott Trudeau promised me a Just Society.
Canadian soldiers died so we might live in a just society.
Montreal Police robbed me of my right to justice.
Marlene Jennings, MP, stated publicly,
"Mrs. Carter's rights were violated three times."
Quebec's Human Rights Commission says
I am too late for justice.
 
THE DAWN MCSWEENEY CASE
http://dawnmcsweeney.blogspot.com
 
November 11, 2010

QUEBEC ELDER ABUSE

 
November 11, 2010
Facebook
 
I have just sent the following email to Quebec Elder Abuse.
 

Want to bet they will tell me my case is not in their jurisdiction ?
 
I am a 74 year old Canadian journalist, cancer patient and crime victim. I have been pleading for justice day and night for fourteen years - since I was attacked and robbed in my home in Montreal, Quebec, on October 7, 1996.
 
While I was being attacked, I managed to wrestle the phone from my assailant and call 911. The police I called to rescue me - helped the thief instead. The policeman took me out of my home and told me I could not take any of my belongings with me and that I must never return. This was done without any justification, without any legal procedure whatsoever. The police left me standing on the street alone, homeless and destitute, without as much as a coat - and the two officers just drove away. They did not file a report.
 
At the age of 60 and fighting cancer, I had to start my life all over again, from scratch.
 
I have been pleading for justice day and night for fourteen years. Quebec's Droits de la personne says I am too late for justice.
 
Marlene Jennings, MP, twice acknowledged publicly in 2008 that my rights were violated by the authorities three times, but the Montreal Police still refuse to act.
 
 
 
 
Copied to Members of Government and the Media

Sunday, November 7, 2010

WORLD VISION - ETAGEGNE BIRHANU - WHO CAN WE TRUST ?

 
BEYOND BORDERS  - A film starring Angelina Jolie which features the Ethiopian famine in 1984 enraged the country's government because they say it provides an "untrue" image of the nation.
BBC News - http://news.bbc.co.uk/2/hi/entertainment/1874845.stm
 
I watch a lot of movies, old and new. When there is extreme violence or gore, I turn away or change the channel. And I am pretty wise about what is real and what is computer generated.
 
But, today, I thought I was going to be interested in an old movie about Ethiopia. What I saw was so horrible I couldn't bear it. It looked awfully real to me. Starving children, skin and bones, wounded, dying people. If these images were computer generated, it was the most realistic job I've ever seen - and I couldn't bear to watch any more of it.
 
I was moved to send another donation to Doctors Without Borders, but I was reminded about the little girl I sponsored in Ethiopia for five years through World Vision. Here is a letter I wrote about her and about World Vision, published in The Anglican Journal. It speaks for itself. When organizations are about statistics more than about human beings, what are we to do ? Who can we trust ?
 
Phyllis Carter
November 7, 2010
 
 
Found via Google. Actually published a few years ago but still online in June, 2010.
 
ETAGEGNE BIRHANU, NEAR ADDIS ABBABA
 
Cut off from child
 
Dear editor,
 
For five years, I have shared my social security widow's pension sponsoring a girl in Ethiopia.
 
Recently I received a letter from World Vision saying how successful the project has been, and now it is finished and they would like to me take on the sponsorship of another needy child. I would do this, except that World Vision seems to just drop the child and move to the next piece of business.
 
I am not allowed to communicate with my sponsored child again. I have no address other than World Vision, Addis Ababa. The child's family has no way of finding me. How cold! World Vision seems to be saying, "Just forget this child. We need your money for the other millions who are starving."
 
I am only one senior citizen living on my government pension. I do not sponsor "projects;" I share my limited means with a child I love.
 
I would be happy to hear from other reputable organizations which sponsor children in Africa but do not cut you off when the "project" is finished. I can be reached at (deleted here.)
 
Phyllis Carter
Montreal
 
 

Friday, November 5, 2010

IS HAPPY TREE YOGA IMPLICATED IN DAWN MCSWEENEY'S CRIMES ?

 
Dawn McSweeney is a thief. I have been reporting her crimes since October 7, 1996, when she robbed me of everything I worked for all my life, every good thing given to me by people who loved me, every sentimental treasure left to me by my beloved husband.
 
A few months ago, I discovered that Dawn McSweeney now calls herself a "yoga guru", and she works in Montreal for a company called Happy Tree Yoga. I have given quite some thought to this. It has been troubling me.
 
I checked the Happy Tree Yoga website and saw the names of other yoga teachers who work there. And I have been wondering about that. I didn't recognize any of the names of any of the other employees, but I have thought about it. Could some of those other people be implicated with Dawn among her "partners in crime" as she calls her accomplices on her own website?
 
I have been wondering how this company could be employing Dawn McSweeney as a yoga guru when I have been reporting her crimes for fourteen years. Don't they know what she has done? Don't they check a person's background before hiring them? Her name appears on Google many, many times and all the facts are there for anyone in the world to read. Don't they care that they have employed a thief to teach their clients the way to Nirvana? If they doubt what they read, could they not have written to me and asked their questions? But no one ever has. The more I think about it, the more I wonder.
 
Are any of Happy Tree's other employees also criminals? If so, do the police know? I don't want to blow any undercover operation, but I am only surmising, wondering. I really don't have any information about Happy Tree Yoga except that they are employing Dawn McSweeney - who is a thief.
 
If the other employees are honourable people, has management advised them about Dawn McSweeney's crimes? If they are innocent people, don't they deserve to know so they can protect themselves and any valuables they may have? 
 
Dawn works slowly and carefully. She may take months or years to accomplish her goals. She smiles, she writes flowery poetry. She could sell the Brooklyn Bridge to the President of the United States. My mother trusted her, but my mother was mentally handicapped, so she was an easy target. Once a psychiatrist at the Jewish General Hospital Davis Building told my mother - in the presence of our entire family - that she needed psychiatric treatment. My mother told the doctor that HE was crazy, and she never went back.
 
After my mother's death - after Dawn had robbed my mother and then robbed me - she wrote passionate poems of adoration dedicated to my mother. Dawn McSweeney can mislead almost anyone. But I doubt she could fool a polygraph machine which is, no doubt, why she refused to take a police polygraph after she robbed me. I have told the police that I am available to take a polygraph test at any time.
 
I don't want Dawn McSweeney to lose her job. But did she stop robbing people after she stole all my valuables and received her share of the will made  in my mother's name  by one of her "partners in crime" - a stranger named Kenneth Gregoire Prud'homme - a will made when my mother was 92 years old and handicapped mentally and physically?
 
Prior to her death in 2007, my mother had been kept in total isolation for almost ten years by Dawn McSweeney's "partners in crime". When I found that my mother had been taken out of her home, I begged the Montreal Police at the Somerled station to go and see my mother's condition, but they refused.
 
Kenneth Gregoire Prud'homme made the bizarre new will in my mother's name in 2005. Dawn McSweeney and her mother, my youngest sister, Debbie Rubin McSweeney, were the only beneficiaries in Prud'homme's will that cut out all my father's legitimate heirs who were specifically named in his own will. All his children and grandchildren were omitted from the Prud'homme's will. Debbie and Dawn took everything my father had worked for all his life - his house and all the money he had saved all his life by denying himself even a new suit or a new pair of shoes. He wanted everything to go to his children and grandchildren. Kenneth Gregoire Prud'homme and Dawn McSweeney had other plans. 
 
Dawn should have plenty of money after robbing all her relatives. But some thieves never can stop. So, I hope she does not lose her job because she might then start to rob other trusting people, like my parents - who both died after years of being apart from all their children and grandchildren - having their family torn apart by Dawn McSweeney.
 
Both my parents went to their graves not knowing the truth about what Dawn had done to our family. My mother believed Dawn because she pretended to be a sweet and devoted Jewish girl - while I had chosen to be baptized and was, therefore , "the enemy" - the devil incarnate. Dawn sold my mother on that story and, because of her mental state and her helplessness, she believed her. Even as a young girl, Dawn could fool her own mother, Debbie, but she never fooled me, and she despised me for not falling under her spell and succumbing to her will..
 
Dawn McSweeney is a thief, and by her lies and crimes, she destroyed my family - her own family. She is a very convincing actress. Goldilocks. But never turn your back when she is around.
 
I apologize for waiting so long to write this report, but I didn't want to risk Dawn losing her job and starting to rob other innocent people. I will not approach anyone directly, but someone should let the employees at Happy Tree Yoga  know about Dawn McSweeney so - if they are not involved in her crimes - they can protect themselves and if, by chance any of them are, they should know that I copy all my reports directly to the Montreal Police, members of government and to the media.
 
Full reports of Dawn McSweeney's crimes and her history are open to the public at    http://dawnmcsweeney.blogspot.com.
 
30

Tuesday, November 2, 2010

MR. NOSTALGIA AND THE SHEBA

  
 
MR. NOSTALGIA
CLIFF CARTER
&
THE SHEBA
PHYLLIS CARTER
 
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEQKlWI1pYFP5pFUT5bn41K7Lp7cFAHun1nGRoWYKru7jKasDI7FF8znvtKdCz2h6oSTMXFCBAEiv2BP3k6fHhTKD63hdgCppLTNbXSTmxkFgl-QopzEC8L1luSpsXLBBwfuXCNPVoljM/s1600-h/CLIFF+AND+SHEBA+SARI-753341.JPG
 
 
MR. NOSTALGIA AND THE SHEBA
OUR TRUE LOVE STORY
 
 
I was about eleven years old when I first laid eyes on Cliff Carter. I was working in my family's store, Metropolitan News, at the crossroads of the nation, Peel and St. Catherine Streets in Montreal, selling newspapers from all over the world. My family was teaching me the business. And Cliff, a singer and pianist, had just come to Montreal from the United States to play at The Clover Cafe across from the Montreal Forum.
 
As time passed, Cliff came to play in the Candlelight Room of the Diana Grill right next door to our store. I was too young to go down into the nightclub, but I could watch Cliff through the restaurant's storefront window and listen to his sweet music flowing out into the evening air over the loudspeaker. And that handsome man would look up at me and smile and make funny faces at the fat little girl in blue jeans.
 
And that teenage girl dreamed that one day, somehow, Cliff Carter would discover she could sing and invite her to be his partner. To me, he was always The Gentleman at the Piano. I listened to his radio shows and I started a fan club - and I sent all the fan mail myself. And he dedicated songs to me, and to my mother, and to my grandmother who also worked in our store selling Irish linens and fine English Bone China.
 
Decades later, Cliff would remind me that he would play a song I requested on his radio show. "Stella By Starlight". He remembered that. I didn't. Decades later, Cliff told me he had seen me riding a horse at the corner of Peel and St. Catherine when I was fifteen. He remembered that. I didn't even know he had seen me.
 
I brought home every Hit Parade song book and I listened to the radio and memorized all the songs of the day. Someday he'll discover me. I studied theatre arts at the Montreal Repertory Theatre  - dramatics with Eleanor Stuart, voice and diction with Dorothy Danford, stage makeup with Griffith Brewer and history of the theatre, with Miss Stehle  I studied opera with Mme. Pauline Donalda, founder of The Montreal Opera Guild and co-star of Nellie Melba and Enrico Caruso. Some day. One day.
 
I met so many fascinating people while working at Metro. Metropolitan News was my alma mater. Eddie Feigelman was an impresario - a theatrical agent - a big man with a big heart. One day, Eddie told my father that there was to be a Red Cross Blood Donors' Marathon at a Montreal armoury. All sorts of entertainers would take part. I overheard - and I dared to ask if I might have a chance to sing. Eddie said, maybe. Was I ever thrilled when I received a telegram announcing that I was included on the program and a volunteer would come to drive me to the armoury. I was about sixteen.  I had never sung in public before. Thrilled, surprised - scared. I put on my salmon colour gown and my parents bought me a rose corsage. I still have that flower in a scrap book.
 
It was a cold, dark and icy night. The doorbell rang and a gentleman who identified himself as "Harry" waited to help me down the slippery steps to Uncle Harry's School Bus.
 
I had told Eddie Feigelman that I had no accompanist. Eddie said, "Don't worry about it." Don't worry about it? How could I perform in front of a huge audience and television cameras without an accompanist? God would provide. I went forward in a haze, my heart pounding with fear and anticipation.
 
The lights were out in Uncle Harry's School Bus. My guide told me there was one other passenger on the bus - "so don't get scared". There was only one person on the bus. I hadn't seen him in years. One person  - who happened to be the partner of my dreams - Cliff Carter.
 
That night, for the very first time, Cliff played for me to sing .When I stood up there on the stage in front of all those people and the lights and cameras, everything went white and I thought I would faint. I couldn't think of a word or a tune, Cliff played an arpeggio  - and my mind cleared and my pounding heart slowed down - and I opened my mouth, and I sang Blue Moon and Smoke Gets in Your Eyes.
 
I had never sung in public. I had never sung with an accompanist other than Peter Miller, my first singing teacher, and Mme. Donalda's sister, May Lightstone, who played for my lessons. I had never sung for Cliff before. And yet, when I opened my mouth to sing, he knew exactly what to play.

In 1954, Cliff returned to the United States. Shortly afterward, I married " a nice boy" and settled down. But my heart never settled. There was always something missing. I became more involved in politics and journalism. Twelve years passed and there was no word from Cliff. My dreams of becoming a singer were set aside like childhood's beloved toys - but they were kept in a secret place somewhere very deep in my heart. "Someday" had not yet come, and I didn't think about it. I just felt restless, insecure and incomplete. I loved my family but I rarely felt happy.
 
Cliff returned to Montreal in the late 1960's, but we rarely saw him. There followed years of turmoil in my life and, unbeknownst to me, also in Cliff's .
 
One day, my parents received a phone call from Cliff. He was playing at The Raphael in Montreal and he invited our family to come. It was Christmas time, 1972.
 
Cliff and I sat on the winding staircase in The Raphael to pose for a souvenir photograph. Something deep inside me stirred at that moment. Daylight. Awakening. I attributed it to sentiment. But I soon realized that it was something much richer. It was persistent and overwhelming and warm, and the newfound excitement brought hope back into my life. And terrible fear. There would be a lot of heartache before there could be any peace. Our incompatible marriages had both been on the rocks for years and had to be carefully dissolved before we could breathe freely. Out of the ashes of that painful transition, The Sheba - a new me - was born.
 
One January night in the late 1970's, Cliff was invited to play for a business party on the 34th floor of the Chateau Champlain Hotel in downtown Montreal. The baby grand piano stood by the bay window overlooking Dominion Square. Cliff played and we sang and the guests applauded. The guests surely thought I was singing for them. In truth, I never sang for the audience. I always sang for Cliff alone.
 
The white moon shone as I gazed down in awe at the park. The dark night was brightened by the sparkling snow and Christmas lights and the great church way down below looked like a pretty toy. Miniature cars and people scurried about. It felt like a dream.
 
Just then, I experienced a stunning revelation. It struck me like a zap of  lightening. From where I was standing at the bay window on the 34th floor of the Chateau Champlain Hotel, I could see the exact spot where, as a young girl, I had so often stood with my nose pressed against the window pane listening to Cliff play the piano in the Candlelight Room. I saw myself there, as I was back then - a young girl, enchanted. I felt now what I had felt back then. At that moment, I knew deep in my heart that there was a heaven watching over us.
 
" I believe in love. I believe in music."
 
Phyllis Carter 
The Sheba

October 31, 2010

 
   Cliff Carter , " Mr. Nostalgia "
The Gentleman at the Piano
His Claim to Fame
 
Cliff Carter saved the life of W.C. Handy when he fell onto the subway tracks.
 
He participated in a pageant celebrating the 50th anniversary of the Emancipation Declaration: Booker T. Washington was present at that event.
 
Cliff's grandmother and great-grandmother were teachers at Hampton College where Booker T. Washington was a student.
 
As a young lad, Cliff sat to lunch at Mrs. Pickenpack's apartment with Matthew Henson, the man who trained the dogs and led Robert Peary to the North Pole on April 6, 1909.
 
He ran foot races with Jessie Owens in the park.
 
He lived in the home of Fats Waller's sister. He filled in for Billie Holliday.
 
He played for Princess, (later Queen) Elizabeth and Prince Phillip in Montreal.
 
Cliff's godfather, Charles Luckyth " Lucky" Roberts wrote Moonlight Cocktails.
 
Cliff made pancakes for Bing Crosby when he would come to rehearse at Lucky's home.
 
At Lucky's house, Cliff met Sigmund Romberg, George Gershwin and other great artists. George Gershwin came to Lucky to ask his help with some of the difficult fingering for Rhapsody in Blue.
 
Godfather, Lucky, and Godmother, Lena, were stars in Sissel and Blake shows.
 
Cliff retrieved Lucky's diamond ring, repeatedly lost in gambling to Bojangles Robinson.
 
He met Enrico Caruso and knew his daughter, Gloria.
 
He won trophies for his ballroom dancing.
 
He set an unofficial foot-racing record for the Newark, New Jersey, Athletic Club.
 
Cliff invented a sepia solution which he sold to Eastman ( before Kodak), for $100.00.
 
He was a chef on the old Penn Railroad when everything was cooked from scratch.
 
He sang with Art Tatem at the piano.
 
He was probably the first Black person to appear on stage at the Hippodrome Theatre.
 
He taught himself to play the piano at the age of thirty-seven - just by watching.
 
His repertoire consisted of approximately 3000 songs, but he did not read music.
 
Cliff could play ANY piece of music immediately upon hearing it for the first time.
 
He composed several songs, some of which appear on his only commercial album,
 
"Cliff Carter, Mr. Nostalgia" . RCA Records. 1982.
 
Cliff recorded this album for Thrill of a Lifetime-CTV, just weeks before his 80th birthday.
 
He learned to drive a car when he was in his mid-fifties.

He worked on a cattle boat to South Africa with his friend, son of a Zulu Chieftain.
 
He polished torpedoes in WW I.
 
He saw Houdini perform his straight-jacket escape while hanging high above the pavement in New York City by a single rope.
 
He was acclaimed for his elegant penmanship and was chosen to inscribe graduation certificates for a famous American naval academy.
 
Cliff had his own radio shows in Montreal in the 1950's.
 
He made numerous radio and television appearances in Montreal and in New York City.
 
More about Clifford John Manning Carter
 
Cliff Carter played piano and sang from Java to Broadway, where he had his own band.
 
Cliff's personal friends of long-standing included Duke Ellington, Cab Calloway, Cozy Coles, Art Tatem, Count Basie, Fats Waller, Louis Armstrong and Billy Daniels.
 
He was also associated with Sarah Vaughan , Dorothy Lamour (whom he always called "Dottie"), Lena Horne, Liberace, W.E.B. Dubois, Mae West, Nat King Cole, Percy Rodriguez, The Mills Brothers and so many others.
 
Cliff visited Germany at the time of Von Hindenberg.
 
He was a professionally qualified portrait photographer and earned his living doing fine embroidery and bead-work.
 
Cliff saw Halley's Comet in 1911, but we both missed it in 1986 due to overcast skies.
 
Cliff and I first met when I was about eleven years old. It was my dream to sing love songs with Cliff Carter, but I never seriously believed that some 25 years later, we would be married. We lived and loved and sang together for almost 20 years. His smile was like sunshine, his voice like honey. Cliff was adored by everyone he met. He was a gracious, easy-going gentleman in the best of times and in the worst of times.
 
Recognition by Thrill of a Lifetime and RCA records was a major highlight in both our lives. Another came in the Autumn of 1986 when Cliff Carter and The Sheba performed in the Parliament of Canada at the Black Orpheus Gala for the Harambi Foundation.
 
Cliff Carter left us on March 25, 1992, eleven days before his 90th birthday.

The world has never been as lovely since then.
 
Phyllis Carter
The Sheba
 
 
Label: RCA Victor KKL1-0445
Item Number: 15-70577
Release Country: Canada
Release Date: 1982
 
For more about Cliff Carter, see
MR. NOSTALGIA, CLIFF CARTER

Monday, November 1, 2010

I REMEMBER BUCK FORTIN, WEST END INVESTIGATION AND PINKERTON

 
 
I was in my twenties when I found a job as secretary to J.A. Buck Fortin. I was sent out from an employment agency for what appeared to be an ordinary office job, but fate landed me in one of the most interesting careers I could have imagined - Girl Friday to a private investigator - and more. Since I was always fascinated by mysteries and I adored the movies of the 1940's, this was an unbelievable opportunity.
 
It was the late 1950's. West End Investigation was located in the finished basement of a duplex on Girouard Street in Montreal. A clean-cut, heavy set man in a crisp white shirt and pressed slacks invited me into his office. There a huge red Lazy-Boy chair faced a homemade desk below the large street-level window looking out on Girouard Park. It is so long ago, that I can't remember the details of the interview, but it was easy-going and Buck Fortin hired me immediately. A nervous novice, the next day I began to learn my new tasks.
 
There were dozens of small metal file cabinets. Each contained hundreds of index cards. Each card had a name on it and all the details of court records about that person. Each morning, my first task was to take the court newspaper and type up a card for each person listed there, and then file the new cards among the hundreds in the filing system. I had terrible fantasies about what might happen if one of the detectives searching a drawer were to drop it. The rest of my assignment was to type up the scrawled reports of the staff detectives.
 
That was the job I had been sent to do, but it did not end there. Before long, Buck asked me to make some inquiries in a case. As a youngster, I had amused my best friend Shirley by making anonymous telephone calls to strangers  whose names I chose randomly from the phone book. I would call Mr. Crook and ask about his last bank robbery. I would telephone a woman I knew but who didn't recognize my voice and pretend to be a flustered mother trying to bake a cake, while Shirley - in the background - would pretend to be a noisy child pestering me. The people I called seemed amused so no harm was done, and I exercised by aspiring acting skills. And now, my employer was asking me to make telephone inquiries using various pretexts.
 
When I was typing up the detectives' reports, I started correcting their English and their grammar. As I read the reports, I thought about how I would have handled the investigations, what I would have said, what I would have done. My job was becoming more interesting, more responsible. One day, Buck asked me to go out on an assignment on my own. I was thrilled ! My career as an investigator was born and I loved it.
 
Buck spoke English with the very slightest accent. He knew his business. Both of them. As J. Arthur Fortin, he was a chartered public accountant - a practical business man - but most of all, he was a genuine-to-the-core  private detective. Buck was sharp and he was tough.. He was confident, steady, polite. I can't remember ever hearing him raise his voice except to call to his children who lived upstairs with their mother, Margie … Mike, Ricky, Susy, Peter, Cathy. The steps from the office led up to their home and the younger children and their beagle, Sammy, often wandered down into the office to keep me company as I attended to business. Buck was a gentleman, but even the dark and strange little man called Blackjack - aka Donato - would not think to mess with him.
 
Buck's brother Paul was on the job at the office very early each morning, but I don't think I ever saw him sober. He tended to have a temper, but Buck was the boss and so I don't believe I ever had a problem with Paul.
 
As a new employee at West End Investigation, I was shy and nervous, but my interest in my work grew by leaps and bounds.  How shy was I ? How hesitant ?  I was always shy about asking an employer for anything. After many months, I worked up the nerve to ask Buck for a three dollar raise. I can still see him standing there on the stairs - stopped in his tracks. I felt a pang seeing his expression. He looked as if I had wounded him. But, without any further ado, the three dollar raise was granted.
 
Buck was active in the Lions' Club and editor of the chapter's bulletin. When he saw how good my reports were, he asked me to ghost write his editorials for the Lions' Club Bulletin. I became "The Ghost of Buck". One day, he came to my desk and quietly confided in me. He revealed how he was affected by a mid-life crisis, loneliness, frustration, alienation from his church. And more. We called that sensitive essay, "Le Demon de Minuit."
 
Buck and I had a special relationship. There was a mutual attraction that I was well aware of.  But it was a respectful relationship. Even though there was a distance between Buck and Margie, he and I were both married people. He always called me "Gal". His tone in dealing with me was always polite, but warm. He never made an advance, never touched me, never spoke to me in an inappropriate manner. It was many years later before he spoke to me plainly about his affection for me. I did not share his hopes, but we would have long telephone conversations even into the mid-1960's. I wanted to maintain a friendship, go out for coffee together, but he could not bear to see me. We remained friends at a distance, and I still feel deep admiration and affection as I remember him.
 
Buck Fortin was an authentic private detective. A macho man, but a gentleman. I am indebted to him for all he taught me, how he trusted me and for the warmth and respect of his affection for me.
 
In the mid-1970's I would be an investigator for Pinkerton - and I say without hesitation - a very good one. The President of Pinkerton, Quebec, Paul St. Amour, introduced me to a client as "the gem of the company". The client said that when he read my reports, it was as if he were on the scene himself, seeing everything with his own eyes. I often succeeded where the men failed, and I loved the job. However, my supervisor at Pinkerton, Montreal, George Neil, believed I aspired to his job and he made my situation very difficult for me.
 
While Mr.Neil could only be reached at the Igloo Bar at Dorval airport in the afternoons, I was on the job and, at the same time, struggling to guess what trick he might pull next to try to get rid of me. And George Neil did play dirty tricks - on me and on others, including the company. Instructions he gave for a surveillance and report this afternoon, he would deny tomorrow. Assignments I could have covered were stashed in his locked desk drawer and given to a male detective in the evening at time-and-a-half pay. A secretary and I dared, one day, to report Neil's actions to a visiting supervisor. He said he was well aware of Neil's drinking and what he was doing, but he advised us with sincere kindness, to forget what we knew for our own sakes.
 
I kept meticulous records, but it was a long time before I gathered the courage to report George Neil's actions in a detailed letter to Pinkerton's head office in New York. I received a letter from a supervisor at the New York office with almost the identical name - George Neal ?  - saying how sad and surprised Pinkerton was to hear about the problems and that they would investigate. Ha ! I feared I would meet with an unfortunate accident and I did not pursue it further. But that is a whole bunch of other stories. In all the years I worked with Buck Fortin I never had a problem or a disagreement with him.
 
Searching the Internet, I could not find a single mention of J.A. Buck Fortin of West End Investigation. That is unfortunate. It seems Buck just served his clients, supported his children, his home, his brother and his employees, solved his cases, did his charitable work, and - departed. I dedicate this memoir to Buck Fortin, a man who deserves to  be remembered - fondly.
 
Phyllis Carter

October 22, 2010